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All About Steve

 
Mary Horowitz is a cruciverbalist - a crossword puzzle constructor. Her brain spins at warp speed with an endless stream of arcane information. She can come up with the perfect word - and dozens with the same meaning - at a moment's notice, but "normal" behavior eludes her. For Mary, nothing is typical, especially relationships. When she is set up on a blind date with handsome cable-news cameraman Steve, Mary thinks the chemistry is undeniable - that Steve is "the one." Steve, on the other hand, thinks Mary is crazy. Mary, who just knows she's found her soul mate, decides to do anything and go anywhere to be with him. She begins to pursue Steve relentlessly as he crisscrosses the country, covering breaking news stories. Mary's escalating infatuation with Steve is encouraged by the self-serving actions of news reporter Hartman Hughes, who enjoys torturing his insolent cameraman at every opportunity. With Mary never far behind and Hartman urging her on, Steve becomes increasingly unhinged. But when Mary becomes embroiled in the news story of the year, Steve and Hartman begin to see her differently. Hartman is plagued by guilt, knowing his game of one-upmanship with Steve has placed her squarely in harms way, while Steve is feeling his own pangs of remorse at his callous behavior. Despite the media storm surrounding her, Mary with her upbeat, unaffected manner brings together a small community of new friends. And all who encounter Mary will realize that sometimes the ones who don't fit in are the ones who really stand out.

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Genres: Comedy
Running Time: 1 hr 38 min.
Release Date: September 4th, 2009 (wide)
MPAA Rating: PG-13 for sexual content including innuendos.
Distributor: 20th Century Fox

Cast And Credits
Starring: Sandra Bullock, Thomas Haden Church, Bradley Cooper, Ken Jeong, D.J. Qualls
Directed by: Phil Traill
Produced by: Nicholas Osborne, Trevor Engelson, Ted Field

When things go as seriously wrong as they do in the Sandra Bullock comedy "All About Steve," a viewer is challenged to guess what the filmmakers thought they were doing. A 1930s screwball comedy with a modern sensibility? A misguided valentine to those who march to the beat of a different drummer?

Normally, Bullock's name above the title would guarantee a decent boxoffice tally. But, here, reviews and word-of-mouth should be poisonous enough to counter that advantage.

What might have happened is that early in the shoot, the cast lost all confidence in Kim Barker's woeful script and began overselling every line. Certainly neophyte feature director Phil Traill did nothing to correct all the bad acting.

Bullock has produced her own comedy vehicles before without miscalculating this badly. So what was she thinking when she decided to play Mary Magdalene Horowitz -- yes, the woman is Jewish-Catholic -- a writer of crossword puzzles whose motor mouth drives everyone other than her forgiving parents to near suicide?

Mary spews out mysterious words and arcane facts with a nervous energy that suggests a mental disorder. She wears bright red go-go boots along with clothes, accruements and bedroom posters -- she lives with her parents -- that belong to a much less fashionable era.

Then there's her erratic behavior. One a first date, she literally jumps the guy. At another point, she actually thanks a truck driver for not raping her. Upon seeing a lethal twister in the desert, her response is to open an umbrella.

Consequently, when people encounter Mary, everyone starts edging away almost immediately. A bus driver tricks her into getting off the bus so it can continue on without her. Everyone aboard cheers. When she meets Mr. Right in the pleasing form of "The Hangover's" Bradley Cooper, he can't imagine she is anything other than a stalker.

This is a character Bullock wanted to play?

Her fleeing guy, Steve (Cooper), is a cable-news cameraman. He accompanies Thomas Haden Church's pompous news reporter -- in a performance that is all cliches -- and field producer Ken Jeong (in the film's only restrained performance) to various hostage crises and natural disasters all over the western U.S. Mary, having been fired from her crossword-puzzle job in Sacramento, Calif., relentlessly pursues Steve to every breaking-news story.

Along the way, Mary and the news crew encounter characters who are eccentric but with nothing going on beneath the surface. Situations strain for laughs, with a stunt horse getting perhaps the biggest one. Not big, mind you, just the biggest in a movie filled with unfunny humans.

The film should be on airlines in two months and off everyone's resume within three. No animals including the horse were injured making the film, so "Steve" counts as no great crime. Bit it does leave one question: Why did anybody think an attractive female star should wear red boots in every scene of a movie?

 

 




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